Attic Whispers from The Blue Mountains — Fact or Fiction? #3 [July 2026 Edition]
The lost girl and the hidden bracelet
Greetings from my attic in the Blue Mountains!
In the last newsletter, I asked you whether the Vatican operated a network that helped Nazi war criminals escape to South America and Australia after the war.
Here is your answer:
Fact. Every word of it.
The ratlines are one of the most thoroughly documented and least discussed chapters of the twentieth century. Senior Church officials were involved. False identities were provided. Men who had overseen mass murder lived out comfortable lives in Sydney, Buenos Aires, and dozens of other cities, their pasts buried under new names and new respectability. The historical record is unambiguous. The Swiss banks, the forged documents, the complicit institutions — all of it confirmed by decades of investigative journalism, declassified intelligence files, and the painstaking work of Holocaust researchers.
I did not invent any of it for The Empress Holds the Key. I simply followed the trail where it led.
That is the thing about this series. The history keeps turning out to be worse than the fiction.
Now. Before I tell you about Book #2, here is today’s statement. This one comes from the Australian outback — from a chapter of history that most Australians have never been taught.
In the 1890s, a young Bunuba man named Jandamarra led a guerrilla resistance campaign against colonial settlement in the Kimberley region of Western Australia. He was a tracker for the police, then turned against them, freeing Aboriginal prisoners and fighting a three-year campaign across the Napier Range that the colonial authorities could not suppress. He was eventually killed at Tunnel Creek in 1897. His skull was removed from his body, sent to England, and held there for decades before being repatriated to Australia in many years later.
Fact or fiction?
The answer is coming in the next newsletter.
But first, let me tell you about The Disappearance of Anna Popov.
It begins with an object found in a hidden compartment. A small thing. The kind of thing that should mean nothing. But it carries a name, and that name belongs to a young woman who vanished years earlier — and who, it turns out, may not be as lost as everyone assumed.
That is all I will tell you about the plot. Because this is a book that works best when you come to it knowing as little as possible. What I can tell you is where it takes Jack — and what it asks of him.
The Disappearance of Anna Popov moves across more ground, geographically and morally, than anything I had written up to that point. It goes to places I had not expected to go when I started. It introduces characters who surprised me as I wrote them — characters who refused to be simple, who insisted on being complicated and contradictory and, in some cases, genuinely frightening.
There is a villain in this book who quotes opera. I want you to think about what that means. Not as an affectation. Not as a quirk. But as a window into a mind that has constructed an entire moral universe to justify what it does. I find that kind of character far more unsettling than simple evil. Simple evil is easy to dismiss. Coherent evil makes you think.
There is also a woman in this book who can find the missing. She knows things she should not be able to know. And she knows something about herself that she carries quietly, without drama, without self-pity — and that knowledge shapes every decision she makes.
I spent a long time with both of those characters before I understood them well enough to write them.
The Disappearance of Anna Popov is also the book where Jack faces the hardest question I have ever put to him. He is a journalist. He finds the truth. He has the story. He has everything a journalist lives for.
And then he has to decide what to do with it.
I will not tell you what he decides. But I will tell you that when I wrote that final scene, I understood something about Jack that I had not fully understood before. He is not, at his core, a journalist. He is something older and harder to name. A witness. A keeper of things that matter. A man who understands that some truths belong to the people they nearly destroyed — not to the world that was never in danger.
That is the Jack Rogan I have been writing all along.
The answer to today’s question is waiting in the next newsletter.
P.S. If you are reading the series in order, you are now two books in and you know who Jack is. The Disappearance of Anna Popov will show you what he is made of.
Thirteen newsletters are coming. One for each title in the series, in the order I recommend you read them — ending with the announcement of a brand-new Book #9, releasing later this year. I hope you will stay for all of them.
The answer to today’s question is waiting in the next newsletter.
If you haven’t read The Disappearance of Anna Popov before, you can get it right here now::
Or start from the Beginning with — The Kimberley Secret. You can get it here now: https://geni.us/kimberleysecret
Enjoy the journey!
The Disappearance of Anna Popov The Jack Rogan Mysteries Book 2 geni.us/DisappearanceAnnaPopov
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- The Empress Holds the Key
- The Disappearance of Anna Popov
- The Hidden Genes of Professor K
- Professor K: The Final Quest
- The Curious Case of the Missing Head
- The Lost Symphony
- The Death Mask Murders
- The Stolen Altarpiece
